Argyle Socks / 2013 Google Store
Gradation Target | Adrien Guillet
Gradation Target is a line, an iconographic flow ponctuated by semantic associations. It deals with painting, advertising, photography, exhibition, design, drawing, sculpture, crafts, performance and so on...
Adidas Facebook Superstar / 2013 Gerry Mckay
I Need Some Meaning I Can Memorise (The Invisible Pull) / 2012 Ryan Gander
a gentle breeze pulling the spectator through the gallery space,
Fridericianum, Documenta 13, Kassel (De)
Op Art is chosen as a telling symbol for the terrible failure of positivism that has occurred in the postwar era, for the transformation of the technological, formalist imperatives advanced by the Bauhaus into the ruthless modernity preached and practiced by the postwar American corporation, of the transformation of the aesthetic of Mies and Gropius into the Hoola Hoop, the Cadillac tailfin, into tang and Op Art. How and why did this occur? How could it come to pass, for example, that Joseph Albers was selected by the Coca-Cola Company as a consultant in deciding which shade of red should be used in the Coca-Cola logo?
Ross Bleckner: Painting at the End of History (excerpt) /1981 Peter Halley
published in Arts Magazine, New York, Vol. 56, No. 9, May 1981
text available on http://www.peterhalley.com/ARTISTS/PETER.HALLEY/PAINTING.END.HISTORY.FR2.htm
Orange M&M’s Boulder / 2012 Dan Colen
rock and acrylic paint, 86.36 x 111.76 x 106.68 cm
Dead Flowers at Karma, NY (USA)
Sign in with your own signature (Flowers) / 1970 Andy Warhol
screen printing on cardboard, 91 x 91 cm
as photographed during the installation of the exhibition
Enseigner comme des adolescents by Lili Reynaud Dewar & her students
at Le Consortium, Dijon (Fr)
3rd may — 16th june 2013
Brandheiss / 2013 anonymous
advertising Alpha Romeo taken from a free viennese magazine, 28.8 x 21 cm
Non-happening after Ad Reinhardt / 2011 Pierre Leguillon
performed at Raven Row (London, UK),
the 24th november 2011
Roma / 1971 Philip Guston
oil on paper mounted on canvas, 71.8 x 100.3 cm
Two Fountains / 2013 Adrien Guillet
fountain by Lili Reynaud-Dewar for Zimmer Zimmer,
an exhibition with Dorine Aguerre, Anastasia Bruelle, Johanna Di Dio, Camille Dumond, Guillaume Dustan, Adrien Guillet, Simon Haenni, Lauren Huret, Jeffrey Perkins, Lili Reynaud-Dewar, Camille Tsvetoukhine & Johanna Viprey,
at the Artist in Residence’s Studio of Belvedere Museum (Vienna, Austria)
april 5th, 2013
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